Argentina, 1999. Four young people stand united before the end of all utopias. The course of their lives will now be determined by their country’s economic and institutional bankruptcy. On a revolving stage spinning through time and space like a carousel, the protagonists of the distinguished dramatist-director Mariano Pensotti
see how they reconstruct their identity every time they talk about themselves: their existence is built upon its narration, and the past is like a grotesque animal that changes shaped every time someone looks back at it.