Aris Biniaris

“The Bacchae” by Euripides

21 MAR – 1 APR 2018
(no performances on Mondays-Tuesdays)
Main Stage
At weekends 24-25 and 31 March-1 April 2018 with English surtitles.
Ancient tragedy as a rock show. The director Aris Biniaris plugs the "Bacchae" into the mains and puts the divine Dionysus in front of the mike.
Early Bird from 22 JAN to 21 FEB 2018: 14, 17 €
(limited number of tickets)

General presale: from 22 FEB 2018, 12:00
Full price: 5, 7, 15, 20, 24 €
Reduced, Friend & Groups 5-9 people: 12, 16, 19 €
Groups 10+ people: 11, 14, 17 €
Νeighbourhood residents: 7 €
People with disabilities & Unemployed: 5 € | Companions: 10 €

Group ticket reservations at
When rock music electrifies Euripides' words, when punk plugs the myth of the Bacchae into the mains, then Dionysus the great, the divine, will sing. Making his OCC debut, Aris Biniaris turns the clash between Pentheus the king and Dionysus the god into an angry hymn to the division of the human soul into logic and instinct.

A fan of on-stage interaction between music and drama and a dedicated scholar of ancient tragedy, the director dares couple the subversive power of rock to the violent tragedy of the Bacchae in a production which sets out to work all our senses up into a frenzy.

In an arid, seismic landscape, a band of select performers—accompanied by two musicians—are invited to reflect through music and theatre on the relationship between freedom and dogma, isolation and creativity.
With a career that started out with a psychedelic reading of Giannis Skarimbas' The Divine He-Goat and culminated with his maiden appearance at the Ancient Theatre of Epidaurus with Aeschylus' Persians, Aris Biniaris has spent recent years seeking out those corners of the theatrical repertoire that set out to illuminate issues relating to personal freedom, social dogmatism and historical memory.

Active at a time when Greek society seems stuck in a rut and unable to move on, Biniaris has settled on a work that deals with precisely these matters : "Pentheus ends up being ripped limb from limb because of his avowed and continued defiance of the god. Still, at the same time, the Dionysian life-giving, life-bearing force, the innate power of the nature of things, is never simply going to retire into the background. It is how we, as a society, choose to align ourselves with this life force that will determine our ultimate convergence or inevitable demise".


Translation: Giorgos Cheimonas
Direction: Aris Biniaris
Dramaturgy: Theodora Kapralou
Sets & Costumes: Paris Mexis
Lighting: Lefteris Pavlopoulos
Music: Victor Kouloumpis, Panos Sardelis
Movement: Amalia Bennett
Sound design/Sound engineer: Harris Kremmidas
Costume Design Assistant: Dafni Iliopoulou
Assistant to the Set Designer-Intern: Despina Faridou
Surtitles translation: Memi Katsoni
Produced by: Onassis Cultural Centre-Athens
Producer Manager: Maria Dourou
With: Giorgos Gallos, Anna Kalaitzidou, Karyofyllia Karabeti, Christos Loulis, Amalia Bennett, Aris Biniaris, Evi Saoulidou, Konstantinos Sevdalis, Onisiforos Onisiforou, Charis Charalambous
Musicians: Victor Kouloumpis (electric bass), Panos Sardelis (drums)

read more

Friday 23 March
After performance talk with Aris Biniaris

sponsoring / partnerships

Official air carrier sponsor

Hospitality sponsor

Medical cover

Supported by